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The Panic In Needle Park: -1971-

– A film you only need to see once. But you’ll never forget it.

Today, the film has been reclaimed as a masterpiece of the New Hollywood era. In 2017, it was restored and rereleased by the Academy Film Archive. Critics now see it as a bridge between the social realism of the 1960s (films like The Hustler and The Pawnbroker ) and the nihilism of the 1970s ( Taxi Driver , Mean Streets ). In the current era, where the opioid epidemic has ravaged rural and urban America alike, The Panic in Needle Park feels less like a period piece and more like a prophecy. The film demystifies addiction. There are no rock-star overdoses at the Rainbow Room. There are no glamorous rehab retreats. There is only the panic—the primal, screaming need to find a vein before the sickness takes over. The Panic in Needle Park -1971-

Instead, the film is shot by cinematographer Adam Holender (who also shot Midnight Cowboy ) with a grainy, hand-held, documentary aesthetic. The camera lingers on the mundane details of addiction: the twist of a belt as a tourniquet, the sizzle of a cooker, the delicate process of drawing the liquid through a cotton ball. The film treats the preparation of heroin with the same reverence a cooking show gives to a soufflé. That is the horror—it normalizes the ritual. – A film you only need to see once