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In this collection of three stories, an emotionally abused
wife finds comfort in the arms of her brother-in-law, a young
dancer undertakes an erotic and redemptive pilgrimage to Rome
involving live sex shows and nude photography, and a femme
fatale looks into a mirror as she recalls a sadomasochistic
love affair...
Try
imagining an erotic version of Alfred Hitchcock Presents,
and you'll have some idea of what this DVD series is like.
Only less well made. Producer Tinto Brass has little direct
involvement with these short films, apart from introducing
each one while puffing away characteristically on a cigar,
and making the occasional cameo appearance.
Though
the productions claim to have been directed in the "Tinto
Brass style", there is scant evidence of it here. Only in
A Magic Mirror is there any hint of Brass's eccentricity,
in the grotesque character of a brusque layabout husband (Ronaldo
Ravello), who spends much of his screen time lounging around
in a bath, like the captain of the B-Ark in The Hitchhiker's
Guide to the Galaxy. But, although this tale displays
the most humour in the entire collection, it also shows off
the least amount of bare flesh, which is surely another important
ingredient that the audience will be expecting.
Things
get sexier in Julia, the story from which this collection
takes its name, which includes some particularly explicit
and highly charged sex scenes. Unfortunately, the plot is
almost totally incomprehensible - something to do with a dancer
(Anna Biella) going to Rome, but wildly at odds with the description
on the back of the sleeve, which mentions a photographer's
three beautiful models. I counted two of them at the most.
This production is also blighted by amateurish editing, which
leaves several gaping holes in the soundtrack. Oh well, at
least this DVD is subtitled, which spares us from woeful English
dubbing of the type recently heard on Brass's Private.
The
final tale, I Am the Way You Want Me, is a very weird
and nasty little minx. In it, a naked woman (Fiorella Rubino)
sprawls around in her bathroom, mouthing various strange utterances
to camera, and doing erotic things to herself, such as shaving
with a fearsome-looking cutthroat razor (shudder). And that's
about it.
A
further disappointment is the lack of any extra features.
So, all in all, this DVD has left me feeling rather brassed
off!
Chris
Clarkson
Speedtree Cinema 6.2.3 ✧
SpeedTree started as a middleware for games, but the "Cinema" branch was designed specifically for offline rendering (VFX). Version 5 introduced the iconic "hand-drawn" node system. By version 6, IDV had perfected procedural logic.
But for the artist who values ownership, stability, and procedural control over cloud-based subscriptions, represents a golden era of 3D software—where you paid once, owned the software, and the wind of your trees bent to your exact vector coordinates. Speedtree Cinema 6.2.3
While IDV (Interactive Data Visualization) has since moved on to version 9 and the subscription-based Modeler, version 6.2.3 remains a gold standard for independent artists, small studios, and VFX veterans who refuse to let go of perpetual licenses and lightweight workflows. SpeedTree started as a middleware for games, but
If you export an FBX from v6.2.3, the wind is baked as static vertex colors (typically in the Red channel for direction, Green for intensity). Modern engines like UE5 can read these vertex colors, but you must write a custom HLSL shader to interpret them. There are no "native" wind shaders for v6.2.3 exports anymore. Because this software is legacy, installation is not "click and go." Here is the verified method to get SpeedTree Cinema 6.2.3 running on a modern OS. But for the artist who values ownership, stability,
This article dives deep into why is still relevant nearly a decade after its prime, its technical specifications, workarounds for modern render engines, and how it compares to the bloated behemoth of modern vegetation software. A Brief History: Where 6.2.3 Fits in the SpeedTree Timeline To understand the value of SpeedTree Cinema 6.2.3 , you must understand the market shift that occurred after its release.
In the rapidly evolving world of 3D asset creation, software versions become obsolete almost overnight. However, there are specific legacy releases that maintain a cult following long after their official support ends. SpeedTree Cinema 6.2.3 is precisely such an anomaly. |
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£15.99
(Amazon.co.uk) |
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£15.49
(MVC.co.uk) |
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£15.49
(Streetsonline.co.uk) |
All prices correct at time of going to press.
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