In a world that is often as cynical and confusing as the transition from silent films to talkies, Singin' in the Rain offers a radical proposition: It is okay to laugh at the chaos. It is okay to splash. And sometimes, the only way to survive the storm is to dance in it.
For over seven decades, the simple image of a man swinging on a lamppost, umbrella in hand, and grinning despite a torrential downpour has become the universal symbol of unbridled joy. That man is Gene Kelly, and the film is Singin' in the Rain . Singin- in the Rain
So, the next time you have a bad day, turn off the news, open the curtains, and press play. And when Gene Kelly looks up at the sky, leans on that lamppost, and opens his mouth, try—just try—not to smile. In a world that is often as cynical
Watch it if you like: La La Land , The Artist , Mary Poppins , or just being happy. For over seven decades, the simple image of
Accounts from the set reveal that Reynolds would hide under the piano crying every day, her feet bleeding from the wooden taps. Fred Astaire, of all people, found her and helped her practice through the weekends. Yet, when you watch Reynolds in the "Good Morning" routine or the epic "Broadway Melody" ballet, she holds her own against two titans. Her grit off-screen is as inspiring as her smile on-screen. A musical is only as good as its villain, and Jean Hagen’s Lina Lamont is a masterpiece of comedic acting. In a film about sound, Hagen—who actually had a beautiful, dulcet speaking voice—chose to speak like a buzzsaw.